Pinhole photography
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Encounter, 2024
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Watou Graveyard, 2024
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Reading man, long exposure time
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Port na bPúcaí (the fairy tune)
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Pinhole photos from the 'Gym' project in the 'Toxic Bunker' exhibition, colaboration with Aracelly Scheper, compiled by Mirka Farabegoli. Photo: Jeroen Huisman
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The Plassy, a shipwreck from 1960 on Inis Oírr. 6x12 cm color slide film
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In collaboration with Mirka Farabegoli; Code Rood pinhole-photography.
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In collaboration with Jeroen Huisman; the exhibition "Voorbijgang" (passing by) in the house at the dyke in Winssen.
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Cork 2017 Overlaps creating one long exposure.
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Pinhole with a converted Agfa Isola, the lenstube inserted. Blue taped branches by Lee Eun Young in the exhibition "Spurensicherung"
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In collaboration with Aracelly Scheper; a series of pinhole-photo's of a historical fair. Exhibition in Tape, Arnhem 2018
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Pinhole-photography on Inis Oirr 2015. Cill na seacht nInion, an old ecclesiastical site
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Pinhole- and stereo photography. A can with two small holes and photographic paper.
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Portrait 1 Noelle
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Portrait 2 Mirka
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Portrait of a passer-by
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In collaboration with Mirka farabegoli; Gougane Barra/the Gearagh, co. Cork. With overlaps, creating an exposure of 6x80 cm.
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Double exposure in NUN exhibition space
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In collaboration with Patricia Steffen; meditation during the exposure-time of 40 sec.
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River Rhine bridge; double exposure
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Crime-scene, pinhole
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Watertuin (Water-garden) edition 10 for periodical
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Nymph, 4,5 m. polystyrene. Sculpture-garden of Gallery Espace Enny, Laag Keppel
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Artoll Kunstlabor Bedburg Hau (D) Artist in residency. www.artoll.de
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Holga 120WPC pinhole camera, 6x9 and 6x12 cm.
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Ondu pinhole-camera for 6x6, 6x9 and 6x12 cm.
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Vermeer Pinhole camera 6 x 17 cm
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Modified Agfa Isola 6x6 cm.
Pinhole photography is lensless photography. A tiny hole replaces the
lens. Light passes through the hole; an image is formed in the camera.
The pinhole camera has no “lens,” per se. The tiny fixed aperture creates a soft infinite focal plane, allowing the “feeling” of the landscape to come through. Where digital photography is like good nonfiction, sharp and detailed, pinhole photography somehow has the profound emotional honesty, the subjective truth of a great novel. Each image carries with it a story, or many different stories.
With the pinhole camera, Cartier-Bresson’s instructive phrase—the decisive moment, referring to the fraction of a second in which a photo should be taken—turns into the decisive minute or minutes. Patience is the greatest virtue when working with these rudimentary cameras.
Recently Carel has been working with movement; during the exposure time of about 20 seconds, he walks around a tree or mounts the camera on his bicycle handlebars, resulting in abstraction and references to painting; after all, photography means: writing with light.
On this page there are projects and pinhole-camera’s which I work with.
You can continue to the following specific projects
Year / Years: 2024
2024
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